For us at Juxtapoz, putting out a magazine in 2020, with the pandemic and social justice revolution after the George Floyd murder, was, in a sense, a reaction to something very visceral. Our Kelly Beeman cover illustrated a sense of being locked up at home, with family but tension. Bisa Butler was a celebration of the strength of Black American craft, and Amani Lewis provided a context of identity in a post-COVID, post-Floyd discourse. Then there was the Spring of 2021, and we were looking for some hope, a cover of collective sharing, giving each support, a way out of homes, off our screens, and brought back into the physical world. Yusuke Hanai's imagery gave that soulful energy we needed. It seems apt that his new show in Seoul is called Give a Hand, Take a Hand, because that is often what his visual language is about; it has elements of comic-book naratives and commercial surf illustration and the installation grandness of Barry McGee, done in an inviting, communal style. He is one of the few artists where a design project and fine art show can feel seemless and created with a sense of freedom. And everyone always feels included. —Evan Pricco