Charlie James Gallery is proud to present Elmer Guevara: Yesterday like today / Ayer cómo hoy, the artist’s second solo exhibition with the gallery. In this new body of work, Guevara explores idea
Long Story Short Paris, in collaboration with Mai 36 Galerie and Kaleidoscope magazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist H.R. Giger. Running throu
Clintel Steed believes every painting has the potential to be a portal into another time and dimension. It’s a bold assertion, but one that somehow rings true, as he invites us to step through the
In the fractured terrain of contemporaneity, where the boundaries between the organic and the digital dissolve, we finally understand that identity is not inheritance but invention¹, not destiny but
Perrotin Paris is pleased to present Lorquianas, a solo exhibition of new large-scale paintings and works on paper by Cristina BanBan, the Spanish-born, New York-based artist’s fourth show wit
Jakub Tomáš is a painter who has been attracting the attention of not only the domestic audience with his figurative compositions in recent years. In the exhibition Camping, he thematizes camping a
David Zwirner is pleased to announce an exhibition of paintings, drawings, and glass installations by renowned German artist Gerhard Richter at the gallery’s Paris location. This is the artist���s
Draw Them In, Paint Them Out presents the work of painter Philip Guston (American, b. Canada 1913–1980), the child of Jewish immigrants from Odessa (present-day Ukraine), and Trenton Doyle Han
The universe of Swiss painter Nicolas Party comes alive in his first solo exhibition at Hauser & Wirth in London. Featuring new treescapes and portraits in pastel, this exhibition celebrates and
Monya Rowe Gallery is pleased to announce a solo exhibition of new paintings by Lacey Black titled Cosmic Zoo. Black’s paintings are centered around a spiritual practi
For Frieze London 2025, kurimanzutto presents a solo booth by Ana Segovia, featuring a new body of work that continues the artist’s critical engagement with the visual codes of masculinity in
“Water is important to people who do not have it,” Joan Didion wrote, “and the same is true of control.” She was talking about California, and the impressive machinery–“the aqueducts and
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